Fusion 15 should be your only workflow now inside of Resolve. That workflow, for the most part, needs to be purged from your memory, as the effects workflow of the past, and the effects workflow of the future really don’t mesh that well together. The past workflow has been to open the Effects Library, choose one of the included effects that comes standard in Resolve, apply it, and make any adjustments inside of the inspector. Now, keep in mind that we’re talking effects, and not color correction or color grading. First, let’s look at how you’re accustomed to doing effects work in the past.
We’re going to start out version basic in this course, so you get a very clear understanding of exactly how this workflow is going to work. In public Beta right now, the newest version of Resolve includes an integrated version of Fusion, which for the purposes of this article I’ll refer to as Fusion 15, and it’s something that every editor who does any type of effects work needs to check out…….as soon as possible, so in this article, I’m going to give you a bit of a sampler as to the awesomeness that is DaVinci Resolve 15 and it’s new Fusion 15 graphics workflow.
To be honest, I’m just not a big fan of the Premiere/After Effects workflow, as I find it clunky, and you’re still dealing with two completely separate applications, as opposed to one seamless workflow, so whether I’m using Media Composer and AE or Premiere and AE, it’s still a two horse show! Well, here comes the newest version of Resolve to change all of that. You might be thinking, “well, why not Premiere?”.
That’s why, for the most part, the bulk of my editing and effects workflows have been in Media Composer and After Effects. I’m more a visual effects and compositing editor. I’ll be honest right off the bat in this article.
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